Filmshop Studio

We’re a cooperative film studio.

This fall an intimate group of five projects is sharing the same stage of the creative process- creating a rough cut.

Each team is presenting new material each week. Industry luminaries are providing project-specific guidance.


PROJECTS

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75 Park: 1 of the 35

by Everette Hamlette

Young documentarian Everette Hamlette discovers that his local neighborhood park- 75 Park- is being reconstructed.  Curious as to why all of his childhood memories are being altered; he decides to do his own research on the New York City Parks Department. Finding more questions than answers, Everette interviews those who grew up in this park near the Hunts Point area of the South Bronx.

He meets people who have similar connections to the neighborhood, interviews friends, neighborhood leaders and also Parks Department employees- seeking both the emotion and the truth of the reconstruction.


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constant/Fleeting

by Ondrea Barbe

Barbe’s relationship with her dying mother is prismatic and impossible to hold––like the morning sunlight that breaks suddenly (one might say miraculously) through the heavy curtain of a Nor Cal fog to play on the surface of her camera. Indeed, one can see Constant/Fleeting as a kind of allegorical story about Mother as Sun––a once life-giving star that becomes obscured by fear and disease. However, there is triumph in this parable as the star is finally able to shed her gloom and bring loving light to those who orbit gently around her. In this way, Constant/Fleeting is more than a mother/daughter documentary––it is a filmic guide to end-of-life miracles.


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The Spirit of Japan

Director- Joseph Overbey Editor- Tom Bayles

The Spirit of Japan is the story of the Wakamatsu family, who have been making the traditional Japanese distilled spirit, shochu, at their Yamatozakura Distillery in Kagoshima Prefecture since the 1850s. We follow 5th generation toji (master brewer/distiller) Tekkan Wakamatsu as he takes the traditions passed down by his father Kazunari Wakamatsu and strives to adapt to a changing world. The film follows Tekkan, while he endeavors and struggles to balance the rigors of making handmade shochu, running the family business, and maintaining a healthy family life. In a world of mass consumerism and commodification, the Wakamatsu family have maintained the 500 year old tradition of brewing and distilling sweet potato shochu by hand. The Spirit of Japan offers a rarified and intimate cinematic portrait of shochu making and family life in a modern, rural Japan.


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Who Will Feed Us?

by Graham Meriwether

The population of the Earth is quickly rising- billions and billions of people. The way in which we farm-- what we farm--- why we farm--- are all going to be vital questions for humanity's ability to feed itself in the years ahead. I've spent the past 12 years traveling America and talking with farmers, sleeping on their couches and in spare bedrooms, I've even moved from the city to a rural area. We will be going to farms across America, and the world, to talk to farmers who are tackling the virtuous task of feeding. We will look at the geopolitical state of agricultural economics- including the monopoly cartels in agribusiness, to the small scale homesteader, who just wants to feed herself.


You Are Doing Fine

by Cheyenne Picardo

A queer thirty-something with barely functional depression uses a small, but unexpected, inheritance from their estranged parents to open a confessional for atheists.

This film makes fun of depression, but never makes fun of depressed people. Depression isn't just despair. It's a collection of irrational behaviors that, in certain contexts, can be quite funny. Often well-intentioned attempts at self-care make the depression worse. My goal is to create a narrative that is based in real experience, but also hilarious, especially to people who have battled mental illness. I hope the film can take away a little of its power, even for just 100 minutes.


Luminaries

Production- Scott Anger

Scott Anger is an Emmy award-winning documentary filmmaker, journalist and photographer whose work focuses on stories around international conflict, food security and the natural environment. Assignments have taken him to more than 50 countries over the past 30 years. Much of his recent work examines U.S. policy challenges in the Middle East from the front lines in Iraq and Syria.

As the first director of video at The Los Angeles Times, Scott developed editorial video strategy for the organization and led a staff of full-time video journalists. After leaving the newspaper, he served as the managing director of The Lost Bird Project, an art-focused, environmental non-profit organization based in New York City.

Scott started his career as an independent photojournalist working on assignment for publications such as TIME, Sports Illustrated, The New York Times, National Geographic Traveller, US News & World Report, The Washington Post, The Associated Press and The Fresno Bee.  Along with his photography he produced audio stories for KQED, National Public Radio, Public Radio International and the British Broadcasting Corporation.

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Distribution- Peter Broderick

Peter Broderick is President of Paradigm Consulting, which helps filmmakers and media companies develop strategies to maximize distribution, audience, and revenues.

In addition to advising on sales and marketing, Paradigm Consulting specializes in state-of-the-art distribution techniques—including innovative theatrical service deals, hybrid video strategies (mixing retail and direct sales online), and new approaches to global distribution.

Broderick was President of Next Wave Films, which supplied finishing funds and other vital support to filmmakers from the US and abroad. He helped launch the careers of such exceptionally talented directors as Christopher Nolan, Joe Carnahan, and Amir Bar-Lev. In January 1999, Broderick established Next Wave Films’ Agenda 2000, the world’s first initiative devoted to financing digital features.

A key player in the growth of the ultra-low budget feature movement, Broderick became one of the most influential advocates of digital moviemaking. He has given presentations on digital production at festivals worldwide and written articles for Scientific American, The New York Times, and The Economist. In 2004 Broderick launched Films to See Before You Vote, harnessing the power of film to impact the US presidential election. He is a graduate of Brown University, Cambridge University, and Yale Law School.


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Writing- Randall Dottin

The chair of the NYFA Screenwriting school in NYC, Dottin is an award-winning writer, director, and producer. He received his MFA at the Columbia University School of the Arts Graduate Film Division. His thesis film, A-Alike, was licensed for a two-year broadcast run by HBO and won numerous awards including a Director’s Guild of America Award for Best African American Student Filmmaker and a Gold Medal at the Student Academy Awards for Best Narrative Film. His short film Lifted was sponsored by Fox Searchlight's program for emerging directors, the Fox Searchlab. He is the writer, director, and producer of The Chicago Franchise, a feature-length documentary that was recently accepted into IFP Week’s Spotlight on Documentaries. He recently was honored by Sundance Institute for his documentary multi-part documentary project, The House I Never Knew.


Innovation- Wendy Levy

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Wendy’s creative work takes place at the intersection of storytelling, innovation and social justice. As the Executive Director of The Alliance for Media Arts + Culture, she is focused on facilitating collaboration, innovation, leadership and cultural impact in the media arts field, leading new national and international programs like HatchLabs, Arts2Work and The Innovation Studio. Arts2Work launched in January 2018 with the very first federally-registered National Apprenticeship Program in media arts and creative technologies, a new initiative representing the hope for the future of creative work in the US, and a pathway out of poverty for a new generation of diverse artists and storytellers. Previously, Wendy was a Senior Consultant at Sundance Institute, helping develop the Sundance/Skoll Stories of Change Program and the New Frontier Story Lab. Wendy also directed the MacArthur Foundation-funded Producers Institute for New Media Technologies, the first public media Innovation Lab in the US. She began her career in film as the Festival Director for the Film Arts Festival for Independent Cinema at Film Arts Foundation in San Francisco. Wendy is the recipient of the Princess Grace Statue Award for distinguished contribution to the media arts field. As a Director, Wendy’s first short film screened at Sundance and other festivals around the world.


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Interested in becoming a member? Click here to learn more.

We're a diverse, hard-working lot. Learn more about us here.

We're a diverse, hard-working lot. Learn more about us here.

We put on film screenings and conferences. Learn more here.

We put on film screenings and conferences. Learn more here.